Gift Vouchers for Christmas …It’s not too late!

Need a last minute Christmas present? We offer gift vouchers for courses or money towards any course – and it’s not too late. Our vouchers make wonderful unique Christmas presents for friends, family and loved ones. Order online and we will email you a voucher to print off and present.

Gift vouchers are available for all of our courses on the course pages. See our calendar here: http://www.theglasshub.co.uk/glass-courses.html
Alternatively buy a voucher here: http://www.theglasshub.co.uk/glass-course-gift-vouchers.html

For more information about vouchers or for a bespoke amount or private hire then please email us info@theglasshub.co.uk

MERRY CHRISTMAS FROM US ALL AT THE GLASS HUB!

Karl Harron and The Perfect Vessel – by Sue Tinkler

“THE PERFECT VESSEL” with Karl Harron 2017 at The Glass Hub

I first met Karl at the Glass Hub in 2016 when I was a student on his 5 day course and then again for the 7 day course at North Lands this year, so I was thrilled when Helga told me that my application to be his TA for this course had been accepted. There is something magical about the Glass Hub, it is one of the few places where kilnforming and the mysterious world of glass blowing happen side by side.
Karl’s course offered so much more than just learning about his technical method. He gave professional guidance, and on a practical level he covered health and safety, mould preparation, compatibility, viscosity, heat-work manipulation, cold working and advised on maintaining kilns and other studio equipment.
At the start of the course, each student gave a 15 minute presentation about their own work and what inspires them. Students then presented their own design concept which they developed throughout the week by making a series of glass samples using a limited colour palette.
Over the 7 days the students made ‘The Perfect Vessel’ – first by decorating two blank circles of reactive Bullseye glass. These were full fused to form a blank which was then slumped into three moulds in consecutive firings – sounds simple enough except for two of those slumps the students had to wear protective clothing to manipulate the mould in the hot kiln to ensure the glass slumped correctly. Often this would need to be done several times to achieve perfection. Great team work developed during this process as it required other students to open the kiln, keep time and record temperature. At the end of the week Karl spent time mentoring each student to discuss their aspirations and next steps with glass.

There is no doubt Karl’s courses are challenging, both physically and mentally, his generosity in sharing information is second to none. He is happy to answer almost any technical question (although I can still see his raised eyebrow at some of them!)
This was my first time as TA on a course, it was hard work but very enjoyable; anticipating each next step, and making sure the materials and equipment were ready helping students where I could.
Like many of the students on the course, glass was not my first career. I have found building skills and knowledge by attending master classes alongside running my own business is right for me. Karl’s courses have helped me to take a bolder step in developing my own way in glass, encouraging me to strive for perfection.

Sue Tinkler

Scott Benefield Cane Masterclass

Scott Benefield and Andrea Spencer arrived from Belfast on a Sunday night and were whisked through the high hedges and darkness to Stowford farm where they would spend the next week teaching at The Glass Hub.

Day 1.
The following morning Scott introduced our group of six keen students to the types of glass cane they were going to be pulling over the week. The first day – simple “veiled” cane. Colours were chosen, cut and heated up in the top loaders, ready to be picked up. The ladders were laid out, doors closed for draughts and Scott demonstrated a few hot and perfect pulls. Then it was our students’ turn. The speed, accuracy and single-handed style of Scott is both unique and authentically a Murano style. This was certainly challenging for the group, but the day ended with bundles of coloured canes ready for day two.

View Day 1 Photos on Flickr

Day 2
So how do you go about rolling up, round, lively and separate canes into a uniform sheet that curls obediently into the required cylinder? Scott showed us exactly how by lining up the canes on the kiln shelf, he takes a measurement with the pie dividers and while this is being heated, gathers and forms a collar to suit. The glass on the kiln shelf is heated, turned, squeezed with paddles and on reaching the perfect temperate (good to roll but not to stick) the canes are rolled and brushed clean before being blown into a beautiful black and white cane cup.
The rest of the day was spent learning not just the art of blowing out the cup, but also how to work as a team, communicating well and getting the necessary precision of timings.

View Day 2 Photos on Flickr

Day 3
Scott lines up seven white canes on the ribbed pastorelli and picks them up on one side of a large gather. He proceeds to heat and pull out the loveliest length of flat cane Piatina or “pin stripe” as he called it. Next pick-up is an evenly spaced roll of canes that is twisted to form the “Rete” cane and finally before the students got started, Scott demonstrates the gorgeous Ballotini cane, where the twist appeared looped like stitches inside.

Now students practiced some of these cane-pulling techniques to build up a library of canes. Only a short break for Scott, until the smell of roast lamb and curry permeates the hot shop as we prepare food for the evening’s demonstration. All of us enjoyed the most incredible demo’ by Scott that evening, assisted by Andrea, Katie Huskie and Emma Baker. James Devereux was on door duty only, as Scott produced a stunning incalmo platter with lip wrap and pinstripes.
We were joined by students from a range of backgrounds including skilled production blowers from Bristol Blue together with our own foundation students and more! After Scott, Dave from Bristol Blue got onto the bench and made a sword, then a wine glass, finishing off the evening of glass, food and wine with laughter and glass drama.


View Day 3 Photos on Flickr

Day 4
Scott starts the day with a demo’ of delicate cane pulling in blues, making a curvaceous hour glass shape. He was assisted by Ben, a recent graduate from Plymouth, who kindly stepped into Andrea’s place as she started her own “Form to Fuse” masterclass next door. A black, clear and pinstripe (Striche and Piatina) vase was created to inspire the group in the potentials of the technique. Students then pulled and blew as they entered the last furlong of the course, galloping towards the speed, fluidity and finesse shown by the master – Scott. The energy was intense, concentrated and focused with students finding their feet on the cane ladders, that were, literally, strewn across the floor for the pull.

View Day 4 Photos on Flickr

Day 5
Our final day and final demo as Scott shows us his system of making cane in a production style. A long tube of cane is cut into several sections and held in the kiln until required. Scott then blew up a beautiful vase to finish off his time in the bench as students got their final piece and pulls done. It was awe-inspiring how far the students had progressed and how much they absorbed of these incredible techniques originating in Venice centuries ago, crossed to America, discovered by Scott and now brought here from the shores of Northern Ireland. A brilliant week and a good end to our Northern Irish Masters’ classes. No doubt these skills will be spreading through Scotland and England in the years to come, keeping these ancient and important techniques really alive.

View Day 5 Photos on Flickr

Winter in Glass

Join us this winter for some hot glass action. There are only a handful of spaces left on our One-Day glassblowing classes and Bauble Blowing and Festive Fusing is booking up fast. If you’re feeling more adventurous and want to thoroughly immerse yourself in glass our Winter School is a fabulous option for an unforgettable experience.

Winter School 2017
One-Day Glassblowing
Blow a Glass Bauble
Festive Fusing

Don’t forget that we also offer gift vouchers that make wonderful unique Christmas presents for friends, family and loved ones.

Gift Vouchers

Coming up… Scott Benefield Masterclass

We are really looking forward to sharing another five days with glass artist Scott Benefield as he guides us through the wonderful world of cane. Scott will be sharing his expertise at the Glass Hub over the five-day masterclass, ‘Introduction to Venetian Cane Techniques’ (16 – 20 October 2017). We have two places left so why not come and learn all about this exciting process from a real master.

Click here for more information and booking!

Scott is a multi-award winning artist, educator and writer and past president of the Glass Art Society (US). He has been a Fellow at the Creative Glass Center of America and an artist-in-residence at the National College of Art & Design (Ireland), North Lands Creative Glass (UK), Vrij Glas (Netherlands), Pittsburgh Glass Center, the Corning Museum of Glass and the Tacoma Museum of Glass (US). His writing about studio glass has been published in numerous publications, including Glass Quarterly and the Glass Art Society Journal.

He is a master of Italian cane techniques and has taught cane workshops at the Penland School of Crafts, the Pilchuck Glass School, Haystack Mountain School of Crafts, the National College of Art and Design (Ireland), the Glass Furnace (Turkey) and as a visiting scholar at Osaka University of the Arts in 2009.

Scott Benefield Chairs the Jury at the British Glass Biennale

We are thrilled that Scott Benefield, who will be teaching with us this Autumn, has chaired the jury at this year’s prestigious British Glass Biennale. The jury have selected the pieces that will comprise the Biennale, an exhibition central to the International Festival of Glass, held every other year at the Ruskin Mill in Stourbridge. The 2017 exhibition, curated by Matt Durran, features work by 63 contemporary artists and will open to the public on August 25th. http://www.biennale.org.uk/.

Scott is a multi-award winning artist, educator and writer and past president of the Glass Art Society (US). He has been a Fellow at the Creative Glass Center of America and an artist-in-residence at the National College of Art & Design (Ireland), North Lands Creative Glass (UK), Vrij Glas (Netherlands), Pittsburgh Glass Center, the Corning Museum of Glass and the Tacoma Museum of Glass (US). His writing about studio glass has been published in numerous publications, including Glass Quarterly and the Glass Art Society Journal.

He is a master of Italian cane techniques and has taught cane workshops at the Penland School of Crafts, the Pilchuck Glass School, Haystack Mountain School of Crafts, the National College of Art and Design (Ireland), the Glass Furnace (Turkey) and as a visiting scholar at Osaka University of the Arts in 2009.

Scott will be sharing his expertise at the Glass Hub over the five-day masterclass, ‘Introduction to Venetian Cane Techniques’ (16 – 20 October 2017). If you would like to join us for this course please click here or contact us for more information.

The Freedom of the ‘One Off’ Masterclass with Joseph Harrington

The Glass Hub welcomed Joseph Harrington once again for a rather special masterclass – ‘The Freedom of the One-Off’. Joe has had a busy time recently – being represented by Bullseye Projects at Collect in February, chosen as Maker of the Week by the Crafts Council shortly afterwards, and then having a piece acquired by the V&A Museum for their Glass Gallery. So we were extremely excited to have Joe here to show students the techniques and methodology involved in his beautiful geologically inspired kiln cast pieces…..

The Freedom of the ‘One Off’ Masterclass with Joseph Harrington

The Glass Hub welcomed Joseph Harrington once again for a rather special masterclass – ‘The Freedom of the One-Off’. Joe has had a busy time recently – being represented by Bullseye Projects at Collect in February, chosen as Maker of the Week by the Crafts Council shortly afterwards, and then having a piece acquired by the V&A Museum for their Glass Gallery. So we were extremely excited to have Joe here to show students the techniques and methodology involved in his beautiful geologically inspired kiln cast pieces. As Joe says, ‘the main principle within my work is to create a sense of progression and evolution within a solid permanent form’. Students were challenged on the first morning to create ten quick and spontaneous creative forms in clay, without too much thought of the process involved. The aim was to ‘free up’ the mind and creativity, without being hindered by thoughts of how the pieces would be cast or moulds made! Following this we were encouraged to explore materials such as clay, sand, and found objects to make an open cast piece. Joe showed us how to explore the properties and physicality of these materials, such as heating clay and manipulating until it cracks, or pouring wax onto clay, combining and experimenting with possibilities. These were cast up into moulds, and loaded with glass for the day’s first firing!

The next day we were treated to a presentation of images of Joe’s work and the progression he has made over the last 20 years working in glass. Joe began with a degree in Ceramics and Glass, making ceramic pieces, but soon realised that glass was the medium he was drawn towards. It was interesting to see Joe’s progression though his glass pieces, as the scale increased as well as the distinctiveness of his ‘geological’ style which evolved as he came to use ice as a material. The ice is eroded and sculpted with salt then cast into glass, capturing a moment in time as the ice is melting. This thawing of ice provides a physical time frame to work within, heightening the importance of artistic judgment and decision-making. The day’s task for students was to work on an ice piece. Blocks of ice were chosen from the freezer and then students set about carving, eroding and melting to achieve a piece which would be cast into glass. There were some challenges in controlling the form and maintaining the integrity of the mould whilst the ice is melting, but everyone achieved the task and began to think about what colours etc they would use for casting. Ice as a modelling material certainly opened up many opportunities for working in new and exciting ways. A delicious meal in the evening contributed to a general feeling of well-being!

The third day began with another approach to mould making, exploring a ‘mosaic’ of modelling materials to achieve new juxtapositions of form. Joe showed student how to cut up cast pieces of plaster, clay and ice to reassemble with sand, creating the positive form which was then covered in refractory mould mix to create a casting mould. He then led a discussion of cold-working techniques, such an important part of Joe’s practice, but something difficult to achieve with limited equipment. Joe kindly offered many tips and tricks for working on pieces with a limited budget for equipment, and everyone felt that there were new possibilities for achieving some finishing at home in the future. We then had the opportunity to get the first pieces out of the kiln, which seemed to have been made eons ago! There was excitement as pieces were assessed and discussions had as to how pieces could be changed or improved in the future. Before long students were rushing to finish off the day’s mould making before finally departing, fired up with enthusiasm for the new directions and inspirations which they had discovered. Once again Joe proved to be a considerate, knowledgeable and motivating tutor, generous in the information he gave to everyone, and expert in his awareness and understanding of glass as a material. We’re looking forward to the next time already!

Helga Watkins-Baker