Don’t Miss …Messums Glass Festival!

Saturday 26 – Sunday 27 January 2019
On the last weekend of January Messums gallery in Wiltshire will be hosting their second Glass Festival. The weekend will be made up of a day of demonstrations by contemporary masters using one of The Glass Hub’s Minimelt furnaces set up in the barn, followed by a chance to have a go yourself on the Sunday. This festival accompanies the current exhibition at Messums, ‘Material Light: Glass’, with artists Dante Marioni, Elliot Walker and an amazing installation by Michael Hulls ‘Tungsten Requiem’ – not to be missed!


Gift Vouchers for Christmas …It’s not too late!

Need a last minute Christmas present? We offer gift vouchers for courses or money towards any course – and it’s not too late. Our vouchers make wonderful unique Christmas presents for friends, family and loved ones. Order online and we will email you a voucher to print off and present.
Gift vouchers are available for all of our courses on the course pages. See our calendar here:
Alternatively buy a voucher here:
For more information about vouchers or for a bespoke amount or private hire then please email us


When Scott Chaseling Rolled-up!

We were so delighted to have the opportunity to host master glass artist Scott Chaseling, who arrived from Australia in September inspiring us all with the mechanics and beauty of the ‘roll-up’ technique using fused glass.

Primarily triggered by work developed by Claus Moje and Dante Marioni in the ‘90s, Scott Chaseling has further developed the technique where fused glass is rolled it up into a cylinder and then blown out as if gathered from the furnace. Chaseling and his team pick up fused tiles on a “collar” of glass at the end of a blowpipe. This collar could be made from sheet glass fired in a kiln, thus eliminating the need for a furnace. We have great facilities here at the hub with our Minimelt mobile furnaces suppling small quantities of glass, yet with all the aspects of a Glory hole. Scott’s assistants this time around were talented and established glass artists in their own rights. The inspiring Cathryn Shilling from the fused glass world, and the multi-talented, Katie Huskie from her busy studio, Devereux & Huskie. Both barns here at The Glass Hub became one, as students cut, fused, carried, shouted and married the dual processes of warm and hot glass.

Read full post on our blog…

When Scott Chaseling Rolled-up

scott-chaseling-masterclass-roll-upWe were so delighted to have the opportunity to host master glass artist Scott Chaseling, who arrived from Australia in September inspiring us all with the mechanics and beauty of the ‘roll-up’ technique using fused glass. Primarily triggered by work developed by Claus Moje and Dante Marioni in the ‘90s, Scott Chaseling has further developed the techinique where fused glass is rolled it up into a cylinder and then blown out as if gathered from the furnace.  Continue reading

Thompson and Scala Masterclass – Definitely NOT Luke Warm!

What a fantastic, inspiring and creative week we had with master glass artists Louis Thompson and Anthony Scala on our ‘Hot Start, Cold Finish’ masterclass.

This course was developed from the bold concept of merging hot and cold glassmaking processes, inviting two of the best from each process to steer the ship. Participants arrived from as far as Australia for this course, armed with an open mind and anticipation for the five days ahead. Following an inspirational introduction by the tutors, students were given a roll of paper to fill with their creative ideas and to use as a diary over the coming week and selected some coloured blown cylinders to work with.

Read what happens next on our blog…

‘Hot Start – Cold Finish’ – Masterclass with Louis Thompson and Anthony Scala

Day 1.

This course developed from the bold concept of creatively merging hot and cold glassmaking processes and inviting two of the best from each arena to steer the ship – master glass artists, Louis Thompson and Anthony Scala. Participants arrived from as far as Australia for this course, armed with an open mind and eager anticipation for the five-day adventure to come.

Following an inspirational introduction by the tutors, students were given a roll of paper to fill with their creative ideas and to use as a diary over the coming week and selected some coloured blown cylinders to work with. The group split into two teams and each team would spend half of the day with Anthony dissecting and deconstructing the cylinders; learning to use cold-working tools, to cut, carve and make marks; removing colour; adding detail and simply learning the processes. The other half would be spent with Louis in the Hot Shop, assisted by the wonderful glass artist Niki Steel, to sketch out their ideas in 3D glass – to be used as either components for sculpting, or core pieces to carve on the following day. The coolness of the river and the evening shade at Stowford Manor Farm were most welcome that evening, as all had the opportunity to wind down and share their experiences with a well-earned drink.

Day 2.
The rising temperatures outside were largely ignored this morning as we only cared about the kiln temperatures. The top loading kilns, were packed full of the previous day’s ‘pickups’, ready to be assembled with heat, torches and hot glass, alongside a menu of ideas already forming on rolls of wallpaper, and the newly stretched minds of participants. Louis and Anthony were both intent on expanding all the possibilities available through exploration and experimentation, keeping everyone away from the restrictions of creating single, completed pieces. A whole variety of shapes, techniques and trials were explored as the group began to gain both hot and cold confidence in the studio. Homemade pizza with G&Ts by the river later on …in cool shade, well-deserved.

Day 3
By now, everyone was showing signs of loosening up, and students’ personal themes were naturally becoming evident. This kind of creativity flourishes within a space where ‘letting it happen’ opens outcomes. In the cold-shop, Anthony and Jess monitor the slicing, chopping, cutting, blasting and sectioning of yesterday’s work. In the hot-shop Louis and Niki work on blown pieces, sculpting solid components, working with colours, additions, blanks to carve and rings to blow into. Looking at each piece of glass with an open mind to the creative possibilities has allowed unique details to emerge, and the anticipation of what could be created fills the air. After an exhausting yet inspiring day, we fired up the BBQ, and enjoyed a wonderful evening of food, drinks and live demonstrations from Louis and James Devereaux, with a roman jug and wine glass demo from Dave Barry from Bristol Blue.

Day 4.
Everyone’s work suddenly seems to be coming together – cogs, decorative rings to blow into, stones to stack hot, amphoras and spinning wings are filling the hot shop along with the sound of the oxy gas torch heating and gluing glass together. Students are now more confident with the machines, are able to move more seamlessly from lathe to bench, between hot and cold in their nest of creativity. Anthony gave a brilliant gluing demo …who knew there was that much to know about gluing!

Day 5
And here we are on the last Day. There was a palpable rush to get as much finished as possible. A glass equivalent of ‘The Bake Off’ ensued, but with more dangerous edges and much nicer judges. Participants were all on-track to get their work finished and when the furnaces were turned off at lunch-time, an unusually tranquil atmosphere filled the studio. We concluded this fantastic week with a reflective fifteen-minute presentation from everyone, rolls of drawings on the floor. How different each story was, and with so much experimentation, discovery and a real sense of achievement by all.
Led by two of the most talented and happy guys to be around, it was impossible not to enjoy this week. A big thank-you to Louis Thompson and Anthony Scala, who gave their ‘all’ to this brilliant and creative group of glass artists.

Karl Harron and The Perfect Vessel – by Sue Tinkler

“THE PERFECT VESSEL” with Karl Harron 2017 at The Glass Hub

I first met Karl at the Glass Hub in 2016 when I was a student on his 5 day course and then again for the 7 day course at North Lands this year, so I was thrilled when Helga told me that my application to be his TA for this course had been accepted. There is something magical about the Glass Hub, it is one of the few places where kilnforming and the mysterious world of glass blowing happen side by side.
Karl’s course offered so much more than just learning about his technical method. He gave professional guidance, and on a practical level he covered health and safety, mould preparation, compatibility, viscosity, heat-work manipulation, cold working and advised on maintaining kilns and other studio equipment.
At the start of the course, each student gave a 15 minute presentation about their own work and what inspires them. Students then presented their own design concept which they developed throughout the week by making a series of glass samples using a limited colour palette.
Over the 7 days the students made ‘The Perfect Vessel’ – first by decorating two blank circles of reactive Bullseye glass. These were full fused to form a blank which was then slumped into three moulds in consecutive firings – sounds simple enough except for two of those slumps the students had to wear protective clothing to manipulate the mould in the hot kiln to ensure the glass slumped correctly. Often this would need to be done several times to achieve perfection. Great team work developed during this process as it required other students to open the kiln, keep time and record temperature. At the end of the week Karl spent time mentoring each student to discuss their aspirations and next steps with glass.

There is no doubt Karl’s courses are challenging, both physically and mentally, his generosity in sharing information is second to none. He is happy to answer almost any technical question (although I can still see his raised eyebrow at some of them!)
This was my first time as TA on a course, it was hard work but very enjoyable; anticipating each next step, and making sure the materials and equipment were ready helping students where I could.
Like many of the students on the course, glass was not my first career. I have found building skills and knowledge by attending master classes alongside running my own business is right for me. Karl’s courses have helped me to take a bolder step in developing my own way in glass, encouraging me to strive for perfection.

Sue Tinkler

Scott Benefield Cane Masterclass

Scott Benefield and Andrea Spencer arrived from Belfast on a Sunday night and were whisked through the high hedges and darkness to Stowford farm where they would spend the next week teaching at The Glass Hub.

Day 1.
The following morning Scott introduced our group of six keen students to the types of glass cane they were going to be pulling over the week. The first day – simple “veiled” cane. Colours were chosen, cut and heated up in the top loaders, ready to be picked up. The ladders were laid out, doors closed for draughts and Scott demonstrated a few hot and perfect pulls. Then it was our students’ turn. The speed, accuracy and single-handed style of Scott is both unique and authentically a Murano style. This was certainly challenging for the group, but the day ended with bundles of coloured canes ready for day two.

View Day 1 Photos on Flickr

Day 2
So how do you go about rolling up, round, lively and separate canes into a uniform sheet that curls obediently into the required cylinder? Scott showed us exactly how by lining up the canes on the kiln shelf, he takes a measurement with the pie dividers and while this is being heated, gathers and forms a collar to suit. The glass on the kiln shelf is heated, turned, squeezed with paddles and on reaching the perfect temperate (good to roll but not to stick) the canes are rolled and brushed clean before being blown into a beautiful black and white cane cup.
The rest of the day was spent learning not just the art of blowing out the cup, but also how to work as a team, communicating well and getting the necessary precision of timings.

View Day 2 Photos on Flickr

Day 3
Scott lines up seven white canes on the ribbed pastorelli and picks them up on one side of a large gather. He proceeds to heat and pull out the loveliest length of flat cane Piatina or “pin stripe” as he called it. Next pick-up is an evenly spaced roll of canes that is twisted to form the “Rete” cane and finally before the students got started, Scott demonstrates the gorgeous Ballotini cane, where the twist appeared looped like stitches inside.

Now students practiced some of these cane-pulling techniques to build up a library of canes. Only a short break for Scott, until the smell of roast lamb and curry permeates the hot shop as we prepare food for the evening’s demonstration. All of us enjoyed the most incredible demo’ by Scott that evening, assisted by Andrea, Katie Huskie and Emma Baker. James Devereux was on door duty only, as Scott produced a stunning incalmo platter with lip wrap and pinstripes.
We were joined by students from a range of backgrounds including skilled production blowers from Bristol Blue together with our own foundation students and more! After Scott, Dave from Bristol Blue got onto the bench and made a sword, then a wine glass, finishing off the evening of glass, food and wine with laughter and glass drama.

View Day 3 Photos on Flickr

Day 4
Scott starts the day with a demo’ of delicate cane pulling in blues, making a curvaceous hour glass shape. He was assisted by Ben, a recent graduate from Plymouth, who kindly stepped into Andrea’s place as she started her own “Form to Fuse” masterclass next door. A black, clear and pinstripe (Striche and Piatina) vase was created to inspire the group in the potentials of the technique. Students then pulled and blew as they entered the last furlong of the course, galloping towards the speed, fluidity and finesse shown by the master – Scott. The energy was intense, concentrated and focused with students finding their feet on the cane ladders, that were, literally, strewn across the floor for the pull.

View Day 4 Photos on Flickr

Day 5
Our final day and final demo as Scott shows us his system of making cane in a production style. A long tube of cane is cut into several sections and held in the kiln until required. Scott then blew up a beautiful vase to finish off his time in the bench as students got their final piece and pulls done. It was awe-inspiring how far the students had progressed and how much they absorbed of these incredible techniques originating in Venice centuries ago, crossed to America, discovered by Scott and now brought here from the shores of Northern Ireland. A brilliant week and a good end to our Northern Irish Masters’ classes. No doubt these skills will be spreading through Scotland and England in the years to come, keeping these ancient and important techniques really alive.

View Day 5 Photos on Flickr